Trustfell 5: A Good Day to Trust Fall (
trustfellowship) wrote in
trustfelled2017-06-18 11:56 am
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Week 3.
Grace and Doug are dead. It seems that there isn't anything more to do but mourn your losses and try to move forward. The Transmitter's rules still hang in every room, a reminder of the only means of escaping this place. But surely no one else will give into them, right? Saturday is given to regrouping and rest; the static blares out early on Sunday, but at least there are no bodies to find today - it seems you're safe for now. The night before wasn't necessarily a peaceful one, however; you'll probably feel a bit groggy when you wake up, and it seems you've regained something that you didn't realize you'd lost... Once again, however, it seems your efforts won't go unrewarded; another set of corridors have opened up, much in the same fashion as the other new area did last week. With them come new rooms to explore; maybe some of them will be to your liking. Or perhaps it's better to say that hopefully some of them will; after all, if the Transmitter gets her way, you may be here for a very, very long time. |
SUNDAY | MONDAY | TUESDAY | WEDNESDAY | THURSDAY
[OOC: Welcome to week three of Trustfell! Feel free to make as many top levels as you'd like and tag out to other characters! This post is for all of your interactions this week... at least until the weekend. Don't forget to save those threads for coins and the activity check!
If you'd like to get in contact with the Transmitter, you can do so through text or the phone in your room!]
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[ She brings the pen to her lips, not really looking at him, but humming a bit to herself. ]
That almost makes the hero seem perfunctory, though...
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A "hero" can perform many duties, of course, and the purpose of their stories is often to inform and inspire. But without challenges to overcome, there isn't much of a story.
[ She hums ] But without the hero being the most interesting thing, there's little reason to hear out that story.
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[Oh goodness, they might get into philosophy and literature at this rate.]
Whose story do you want to write? What kind of message are you trying to send?
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[ She tilts her head at that, wondering aloud: ] Do you believe so?
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[There's a beat.]
Who the hero is and who the villain is-- it depends on whose point of view the story is being told from.
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[Which, given by the fact that someone like Kogami exists, probably is telling it's a really fucked up system.]
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[It's a rather rhetorical question, but she can answer it if she chooses.]
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If it's the twenty-six of us, I think the answer's obvious. But if it's your society, haven't you said that it's Makishima?
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If a story would even be written about me.
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[ She tilts her head ]
What about you, what do you make of that, Kogami?